All posts by warehouse1420@msn.com

The Firebird I

Candle 001

The Firebird:  A Christmas Fantasy

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I

On Christmas Eve I did not sleep, but stayed up late to watch.  The moon was high and bright and one star shone low in the sky.  At my window I watched them rise up from the black trees.  But for the candle in the corner the room was softly dark.

A little breeze stirred the dry dead leaves outside, but nothing else moved.  I watched the star shiver alone in the moonlight.  I saw the moonlight playing in the treetops.  I sat like this, alone, for a long, long time.

The candle burned low and dim.  Halfway up the sky the lonely star chased the moon, and I knew that the night had grown older and deeper.  The breeze died and the leaves outside my window fell still.  I watched and waited.

At length I saw him coming, up through the shadows on the lawn.  Slowly he came, bent beneath his heavy sack.  A light of neither moon nor star was all about him and clung to him as he came.  The candle in the corner grew suddenly bright.

The star peeped out through a window in a cloudbank behind which the moon had taken cover.  He came and laid a hand upon the window sill.  I faced him through the glass.

“Come out and follow me,” he said.

But I was afraid.

 *  *  *  *  *  *  *  *  *  *

“Work?!?!!” (Maynard G. Krebs)

Maynard

It is assumed by most people nowadays that all work is useful, and by most well-to-do people that all work is desirable.   Most people, well-to-to or not, believe that, even when a man is doing work which appears to be useless, he is earning his livelihood by it — he is ’employed’ as the phrase goes; and most of those who are well-to-do cheer on the happy worker with congratulations and praises, if he is ‘industrious’ enough and deprives himself of all pleasure and holidays in the sacred cause of labor.  In short, it has become an article of the creed of modern morality that all labor is good in itself — a convenient belief to those who live on the labor of others.  But as to those by whom they live, I recommend them not to take it on trust, but to look into the matter a little deeper.

        — William Morris, “Useful Work versus Useless Toil.”     

Books 001

The Dancer VIII

dancer-jumping-silhouette-LiKgrKdia

VIII

The little dancer woke to see the city skyline standing black against a red-gold glow in the east. Directly above her head the Morning Star still shone bright. Behind her, in the west, the silver sliver of a new and waxing moon hung like a bright scythe in the sky. Beside her lay her friend, still, cold, and pale as the snow in which she lay. The dancer touched her hand. It was cold, cold as clay, cold as the pavement beneath her.

Not one thought of any kind crossed her mind. Not the slightest ripple of motion stirred the stillness of her heart. Not one tear fell from her eye as she sat holding her friend’s hand and watching the light in the eastern sky.

Suddenly one bright shaft of gold shot out from behind a distant spire. Then up jumped the sun’s topmost curve and a thousand rooftops flashed in the instant brightness.

An indescribable calm lay upon the dancer’s heart. The winter sun rose with quiet thunder. And as she sat gazing at it, there within the circle of its glory she saw a face – the face of her friend.

And now the Voice came to her once more, but still and soft this time, and full of quiet peace.

“Dance!” it almost whispered.

The little dancer stirred. She looked from the face in the sun to the face in the snow beside her.

“Was it you all along?” she asked. “Was it your voice I heard in the green hills and in the misty glens?”

“No,” came the gentle answer. “In dancing with the little girl you danced with me. And yet I am not the little girl, nor is her voice my voice.”

“Who are you, then?” she asked in amazement.

“I am the Dance!” came the reply. “Together you have danced well. Together you have won the prize. Very soon now you shall see my face.”

The sun was well above the rooftops now. Bright and blue grew the wide sky and all the earth sparkled in the new light.

The dancer smiled, contented. And then she too lay down and slept in peace.

THE END

 

 

 

Koinonia

Pilgrim 2 001

“… There is yet a time of rest in store for the world, when mastery has changed into fellowship – but not before.”

                                    — William Morris, News from Nowhere.

* * * * * * * * * * * *

Foundational to the American doctrine of rights is the concept of equality.  As Jefferson has it in The Declaration of Independence:  “All men are created equal, and are endowed by their Creator with certain unalienable rights.”

This is a purely political statement which has nothing to do with reality.

It should be perfectly obvious to even the most obtuse among us that all men are not created equal – that is to say, the same.  The “equality” envisioned in this time-honored, all-hallowed, never-to-be-questioned assertion is simply “equality before the law.”  One might even go so far as to call it a legal fiction.

Legal fictions, of course, are matters of little or no consequence to the Pilgrim.  That’s because the Pilgrim, as a stranger and sojourner in the kosmos, cares nothing about politics and law.  He takes his cues from another quarter altogether.

The purpose of equality before the law isn’t difficult to discern.  It’s a protective measure:  a defensive weapon to be used against enemies who seek to gain mastery over me and promote their agenda and interests at my expense.  It’s the hill on which I take my stand against hostility and aggression, the barricade behind which I hide in my attempts to fight off your ill-willed efforts to demean, enslave, or impoverish me.  “Step off!” it says.  “Get back!  Keep your hands off me and my stuff!  I’m every bit as good as you are!”  We cling to this doctrine of equality primarily out of fear.  We need it desperately because we operate on the assumption that ours is a world in which everybody is constantly trying to dominate everybody else.   Unfortunately, it’s a pretty fair assessment of the situation.

But the Pilgrim, as we have said, wants no part of all this.  He does not belong to the kosmos.  On the contrary, he lives his life as part of a community that operates on the basis of a very different set of rules and assumptions.  It’s a community made up of refugees and foreigners, people from another place and time, tramps and travelers encamped in the middle of an alien society who, in spite of adversity and criticism, continue to speak a different language and cling to the tenets of a different culture.  They are a colony, an embassy, a rebel outpost in occupied territory.  And within the context of this strange outlandish sub-culture they have no need for “equality.”  They have no need of it for the simple reason that they have no interest in dominating or mastering one another.  Instead of the law of “equal rights,” Pilgrims live by the rule of koinonia.

Koinonia means “sharing.”  It’s the state of “holding something in common.”   The Greek word is most frequently translated into English as “fellowship” – though, if it weren’t for negative historical, political, and social baggage, we might possibly understand it as referring to a form of voluntary “communism.”[1]  The basic idea here is summed up in the New Testament’s teaching that, in Christ, “we are members of one another” – parts of the same body – so that what affects and concerns you affects and concerns me.  Most importantly, koinonia takes it for granted that we are not all “equal” or alike – no more than a hand is like an eye or a head like a foot.  This is the assumption upon which it operates.  In koinonia we supplement, complement, fill up, and balance one another’s strengths and weaknesses.  You supply what is lacking in me.  I supply what is lacking in you.

“Bear one another’s burdens,” writes Paul, chief of sinners and Pilgrims, in his letter to the Galatians.  In another place, he says, “We who are strong ought to bear with the weak, and not to please ourselves.”  There is no question here of competition, no room for domination.  In the words of the Master Himself, “You know that the rulers of the nations lord it over them, and those who are great exercise authority over them.  Yet it shall not be so among you; but whoever desires to become great among you, let him be your servant.”

All men are created equal.  When you stop and think about it for a moment, this well-worn axiom begins to ring with near-Huxleyan overtones.  It’s the law of survival in the jungle of the kosmos:  a cold, impersonal rule calculated to ensure the peace, prosperity, and happiness of the Brave New World.  And so, perhaps, it must remain until the kosmos is no more.

As for the Pilgrim, he has ceased from all such strife, for he lives in a kingdom where the first are last and the last first, and where every member lives and thrives by lending to and leaning upon every other.

It’s a vision of an entirely different order.

 

_____________________________________________________________

 

[1] It’s not without reason that the late Dr. Francis Schaeffer labeled Marxism “a Christian heresy.”  Pure Marxism is essentially a vision of Christian koinonia without Christian inspiration or motivation – in other words, without Christ Himself.  It’s no coincidence that there is such a striking resemblance in wording between Acts 2:44, 45 – “Now all who believed were together, and had all things in common, and sold their possessions and goods, and divided them among all, as anyone had need” – and the most famous of the early communist slogans – “From each according to his ability, to each according to his need.” See also Acts 4:32-35.

 

 

The Dancer VII

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VII

Night was falling. A snowflake touched the dancer’s cheek. Once again the two of them sat weeping together in the quiet and the dark. And so they sat for what seemed a long, long time.

But as they sat crying on the cold stone pavement, as the snow began to fall in flurries around them, all at once, like the clear note of a silver trumpet out of the mournful gray sky, came a shout:

“Dance!”

The Voice was like that of a great bell. Its sound was like the rising of the dawn. The dancer and her new friend looked up and gazed at one another in surprise. Suddenly their weeping was turned into laughter. Up they jumped, and together they began to dance with all their might.

Down dark alleys they danced as the poor and homeless watched them wordlessly. They danced along the narrow streets while those who walk the night stood staring in wonder. They danced with the dancing snowflakes and the fragile mist of their own warm breath as it hung in the frosty air. They danced past banks and shops, past theaters and concert halls, past courthouses and market places and office buildings, all standing bleak and empty in the silent winter’s night.

They danced all night long until the snow stopped falling, the clouds dispersed, and the early morning stars appeared.

They danced until, exhausted, they fell together to the ground and slept.

* * * * * *  *

Politicians

Poet's Corner 001

Politicians

   (To be sung to the tune of “Superstition” by Stevie Wonder)

 

Various politicians

Rising in the polls,

Gaseous emissions,

Questionable goals,

Men with creepy hair-dos,

Women dressed like guys,

Stumping on the night news,

Wearing suits and ties.

 

When you believe in people you can’t even trust,

Then you suffer —-

Politicians ain’t the way.

 

Various politicians

Debating on TV,

Confirming our suspicions,

Exposed for all to see,

Raising lots of money

Images to sell,

Trying to be funny

As guests on SNL.

 

When you believe in people you can’t even trust,

Then you suffer —-

Politicians ain’t the way.

 

Various politicians

Want to build a wall

To keep out kids and Syrians

Who want to kill us all.

Talking about ISIS,

Wearing ties and coats,

Hoping war and crisis

Bring them lots of votes.   

 

When you believe in people you can’t even trust,

Then you suffer —- 

Politicians ain’t the way.

 

Stories

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“Stories that tell of men’s aspirations for more than material life can give them — their struggles for the future welfare of their race, their unselfish love, their unrequited service:  things like this are the subjects for the best art; in such subjects there is hope surely, yet the aspect of them is likely to be sorrowful enough:  defeat the seed of victory, and death the seed of life, will be shown on the face of most of them.”

— William Morris, “Some Hints on Pattern-Designing”

  Books 001

The Dancer VI

dancer-jumping-silhouette-LiKgrKdia

VI

She woke to find herself lying cold and stiff in the ashen snow. It was dusk. Footsteps were receding down the darkened street. She staggered to her feet.

Alone she wandered the bleak and snowy streets of the city, stumbling and stopping often to rest, for she was tired, hungry, and weak. Dirty and ragged now, she no longer presented a very pretty sight. Only the dancing shoes remained as bright and beautiful as at the first.

She stopped to rest on a cold stone step and to comfort herself with the thought of her lovely shoes. But their comfort too had now grown cold.

“These dancing shoes are lovely beyond words,” she thought. “And yet of what use are the shoes without the dance? And now that the Voice has left me, I feel that I shall never dance again.”

Suddenly she looked up at the sound of a muffled sob close by. There, not an arm’s length away, huddled in the angle where the stair met the wall of the building, was another little girl. She too was ragged and dirty and thin, and her bare feet were soiled and red with the cold. Her weeping was very bitter.

“What’s the matter?” asked the dancer. “Why do you weep so?”

“Because I am lost and all alone,” the girl answered, “and have no place to stay.”

“Ah!” sighed the little dancer. “I too am lost and alone, nor have I any place in this city to call my own. Otherwise I would take you home with me.”

And so the two of them sat and wept together in silence.

Presently the dancer raised her head and said, “But is this the only reason you are crying? Is there nothing else I can do to help you?”

“I am so hungry!” answered the child. “I haven’t had anything to eat for days!”

“Ah!” sighed the little dancer. “I too am nearly starved and very weak with hunger. I have nothing to share with you. Otherwise you can be sure that I would.”

Again the two of them sat silently weeping together.

At last the dancer spoke for the third time. “Surely,” she said, “there must be something else. Your crying is so very bitter.”

“Yes,” said the girl. “My feet are so cold that I can no longer walk; and so I am afraid.”

The little dancer looked down at her own feet. For a long time she stared at her beautiful dancing shoes.

“Of what use are these shoes – or my feet, for that matter – without the dance?” she thought.

Then, stooping down, she carefully undid the graceful silken laces and slipped the shoes from her feet. Kneeling in the snow, she bound them on the feet of the little girl.

* * * * * *  *

Defeat

Pilgrim 2 001

     I am a Christian … so that I do not expect ‘history’ to be anything but a ‘long defeat’ – though it contains … some samples or glimpses of final victory.

 — J. R. R. Tolkien, Letter to Amy Ronald, December 15, 1956  

 *  *  *  *  *  *  *  *

A long defeat. Governor William Bradford of Plymouth Plantation, one of the most celebrated of all true Pilgrims, would have understood this way of looking at human history. He was intimately acquainted with disappointment and failure. He never knew his father. His mother died when he was seven. While still an adolescent he was forced to flee the land of his birth. He lost his young wife to the waves of the North Atlantic. Half of his companions on the Mayflower perished during their first few months in the New World. After enduring all these toils and sorrows, he watched his most deeply cherished dream – the dream of Christian brothers and sisters living together “in a most strict and sacred bond and covenant of the Lord” – wither and fade before his very eyes. But he bore it all with “answerable courage” and unyielding confidence in the faithfulness of God; so that in the end his “defeats” were transformed into something more than mere “glimpses of final victory.” In a very real sense they became “stepping stones unto others” for the performing of a great and enduring work.

Born in the spring of 1590 and baptized on the 19th of March, Will Bradford was raised by two uncles, Robert and Thomas, in the agricultural community of Austerfield, Yorkshire. A long childhood illness proved to be the first of many instances of Divine Providence in his life: unable to work in the fields or play in the town square, Will became an avid reader. Of all the books he read, it was the Bible that most profoundly impacted his thinking.

By the age of twelve the scripturally savvy young Bradford was actively questioning the policies and practices of the state-sanctioned Anglican Church. In pursuit of the ancient purity of the New Testament ekklesia, he joined a small Separatist gathering that met in the home of Elder William Brewster, the Puritan postmaster of Scrooby. When the Scrooby congregation, under the persecution of King James I, made the difficult decision to flee to Holland, eighteen-year-old Will Bradford was among them.

In Holland, the Separatists discovered that religious liberty had a down side: doctrinal disputes, fostered by Amsterdam’s open-minded atmosphere, were destroying Christian unity among the various groups of English Protestants residing there. The Scrooby refugees escaped to Leyden, where they lived in comparative peace for the next eleven years. But rumors of war and concerns about the “liberalizing” effects of Dutch culture eventually compelled them to embark for America, where they hoped to live out their vision of Christian community undisturbed.

The decision to leave Leyden was fraught with pain and stress. Among other things, Bradford and his wife, Dorothy, were forced to concede that their little son John was too young to make the trip. The process of arranging the logistical details was far from simple. But after three years of delays, disappointments, and strained negotiations with potential financiers, the first group of Leyden emigrants finally sailed on the Mayflower on September 6, 1620, under the sponsorship of Thomas Weston, a profit-minded London entrepreneur. Thanks to Weston, the Separatists’ Christian ideals were compromised from the very beginning: at his direction, they were joined by a contingent of fifty “Strangers,” selected by the company for the commercial advantages they could bring to the new colony.

It could have been a recipe for disaster. But during course of the Mayflower’s tempest-tossed 66-day crossing, William Bradford emerged as a leader capable of addressing both groups’ needs and concerns. When the ship landed at Cape Cod, he played a key role in quelling the spirit of division that already threatened the colony’s survival. Together, he and Brewster drew up a “contract” by which Saints and Strangers agreed to “combine themselves together into a civil body politic” with the goal of promoting the glory of God and advancing the Christian faith. The Mayflower Compact, as “the first foundation of their government” in the New World, made every member of the community equally responsible for the welfare of the entire group. As a result, dangerous dissension was averted and Plymouth colony was granted a hopeful beginning.

Their agreement held good throughout the hardships of the first bleak winter. The few settlers who remained healthy during the days of starvation and disease that followed attended tirelessly to the needs of their sick companions. Bradford, whose wife had drowned within six weeks of the Mayflower’s landing, was himself among the ailing. By the end of March, half the company had perished. When John Carver, Plymouth’s first governor, succumbed to the lingering effects of his illness the following spring, the colonists elected Bradford to be his successor. It was a post he would hold for the greater part of the next three decades.

Through the years that followed, Governor Bradford bore the heavy responsibility of managing a relentless barrage of discouraging setbacks and disheartening circumstances, including Weston’s broken promises; fire, famine, and drought; disciplinary problems with “untoward persons;” threats from the hostile Pequots and Narragansetts; trade disputes with the Dutch and French; and, later, border conflicts with the Puritan settlers in Massachusetts Bay. In addition, he and his fellow Pilgrims had to contend with a long list of unsuitable “pastors” – men like the Reverend John Lyford, an English preacher who upon his first arrival in Plymouth appeared to be “made all of love,” but who was eventually implicated in a plot to undermine the Separatists’ plans for a unified and holy Christian commonwealth.

But none of these adversities and obstacles left Bradford as thoroughly cast down in spirit as the unexpected enemy he had to face during the final phase of his career: success. Within two decades of the sufferings of that first harsh winter, Plymouth Plantation was thriving and its inhabitants were growing rich. And the richer they grew, the less they valued the “sacred bond” that had brought them to the New World and preserved them through so many trials. “As their stocks increased,” wrote Bradford, “there was no longer any holding them together … Those that had lived so long together in Christian and comfortable fellowship must now part and suffer many divisions … This I fear will be the ruin of New England, at least of the churches of God there … ”[i] In many respects, his words proved tragically prophetic. In a short time, as he tells us, “wickedness” of the most unspeakable sort was breaking forth among the people: theft, murder, adultery, sodomy, and even bestiality.

From a certain perspective, the story of Plymouth Plantation is the story of America in a nutshell. It brings to mind the stern words of Puritan divine John Owen, penned in England some thirty years after these ironic events: “Prosperity hath slain the foolish and wounded the wise.”[ii]

But in another sense, it’s vital to remember that the tale doesn’t end here. For these disheartening developments, both past and present, are part of a bigger picture – episodes in an ongoing narrative that is still being written. Bradford, says biographer Gary Schmidt, did not realize that he had left the world “a great account not only of the planting of a colony, but of God’s loving and providential care of a people who had tried to carry out a vision that they had found in the Scriptures. Bradford thought he had failed in this vision; he did not understand how much he had succeeded.”[iii] His vision is still worth pursuing today.

William Bradford spent his final years in quiet retirement, writing poetry, reading Greek and Latin, and learning Hebrew. He died May 8, 1657, “lamented by all the colonies of New England as a common Blessing and Father to them all.”[iv]

_________________________

[i] William Bradford, Of Plymouth Plantation, 1620-1647 (New York: Modern Library College Editions, 1981), 281-283.

[ii] John Owen, “Of Temptation,” in The Works of John Owen, vol. VI, ed. William H. Goold (Edinburgh: The Banner of Truth Trust, 1967), 112.

[iii] Gary D. Schmidt, William Bradford: Plymouth’s Faithful Pilgrim (Grand Rapids: Eerdmans Books for Young Readers, 1999), 182.

[iv] Rev. Cotton Mather, Magnalia Christi Americana, 1702.

Art and Fashion

Books 001

“People say to me often enough:  if you want to make your art succeed and flourish, you must make it the fashion:  a phrase which I confess annoys me; for they mean by it that I should spend one day over my work to two days in trying to convince rich, and supposed influential people, that they care very much for what they really do not care in the least, so that it may happen according to the proverb:  Bell-wether took the leap, and we all went over …”  

“You whose hands make those things that should be works of art, you must be all artists, and good artists too, before the public at large can take real interest in such things; and when you have become so, I promise you that you shall lead the fashion; fashion shall follow your hands obediently enough.”

— William Morris, “The Lesser Arts.”

 

The Age of Conformity

Tooker

THE AGE OF CONFORMITY

(To be sung to the tune of “The Age of Aquarius”)

 

When everyone starts “working out”

And SUVs replace all cars,

Then Facebook will rule the planet

And Starbucks will steer the stars.

 

This is the dawning of the Age of Conformity,

Age of Conformity,

Conformity,

CONFORMITY!

 

Marathons and low-carb diets,

Texts and tweets and blogs abounding,

Super Bowl and “Game Day” parties,

Patriotic orthodoxy,

Working space that’s kinda boxy,

From Tacoma to Biloxi,

Conformity,

CONFORMITY!

 

Poet's Corner 001

(Painting by George Tooker)

Death

Pilgrim 2 001

    “Most assuredly, I say to you, unless a grain of wheat falls into the ground and dies, it remains alone; but if it dies, it produces much grain.”

                                    Jesus; John 12:24

* * * * * * * * * * * *

What do we do when barbarians come knocking at the gate?  Pilgrims of the past have responded by way of costly personal example.  And the answers they’ve left behind can be as tough to chew as they are to swallow.

Similar to the tale of Boris and Gleb is that of Edmund, king of East Anglia (mid-ninth century).  His history comes down to us from the Anglo-Saxon Chronicle and Aelfric’s Lives of the Saints.

The Christian Anglo-Saxon kingdoms of eastern Britain were no strangers to the terror of foreign invasion.  Again and again during the eighth, ninth, and tenth centuries the people of Northumbria, Anglia, and Kent suffered cruelly at the hands of ruthless Viking raiders.  Edmund knew exactly what to expect, then, when word came that a Danish sciphere or naval force under the command of two bloodthirsty leaders, Hinguar and Hubba, had landed in the north, and was at that moment cutting a swath through the country of Northumbria, wasting fields, looting villages, and killing men, women, and children indiscriminately.

It wasn’t long before Hinguar’s envoy arrived in King Edmund’s hall.  “Hinguar is going to winter in your land,” he arrogantly announced.  “He demands your gold and your allegiance.  You will bow the knee to him at once if you value your life, for it is clear that you do not possess the might to withstand him.”

Despite his bishop’s warnings and pleadings, Edmund gave the Northman an uncompromising reply:  “Worthy of death as you are, I will not defile my clean hands with your foul blood.  I follow Christ, who has left us a very different example, and I will gladly be slain by your people if that is God’s will.  Now go quickly and tell your cruel lord that Edmund will never bow to Hinguar while he lives, for his allegiance is due to Christ alone!”

Aelfric describes the sequel as follows:

     So then:  when Hinguar came, King Edmund stood within his hall, mindful of the Savior, and threw his arms aside.  He wanted to imitate the example of Christ, who forbade Peter to use weapons against the Jews. 

The Vikings’ response?  They bound Edmund, mocked him, beat him, dragged him out of doors, and tied him to a tree.  There they shot him with arrows until the shafts piercing his body resembled “a hedgehog’s bristles, just as it was with Sebastian” (swa swa Sebastianus waes).*  Aelfric testifies that the king did not cease calling upon Christ until the end.  After he was dead, the “impious heathens” (Aelfric’s term) cut off his head and hid it in the woods.

Though many of us today will find this hard to accept, that wasn’t the end of Edmund’s story.  For when the raiders departed, the people of East Anglia found the king’s head and buried it with the body.  In time, a church was raised above Edmund’s grave in recognition of the fact that “many wonders and miracles of healing took place at his tomb, that is, at the chapel where he was buried.”

We may perhaps doubt these miraculous tales.  But whether they be mere embellishments or not, they nevertheless highlight and illustrate a truth that is of critical importance to every Pilgrim:  the truth that death is the prelude to life, and that grace and supernatural power are released whenever we choose to lay down our lives in emulation of the Master.

_____________________________________________________

*St. Sebastian, a captain in the Roman army, was martyred during the persecution of the Emperor Diocletian after it was discovered that he had been leading other soldiers to Christ.  He was shot by a firing squad of archers and left for dead in the year 288.  His martyrdom is clearly reflected in Tolkien’s description of the death of Boromir in The Fellowship of the Ring.          

 

 

The Dancer V

dancer-jumping-silhouette-LiKgrKdia

V

For a moment she stood listening, listening for the Voice, but there was only a wintry silence.

“My feet are so cold!” she thought.

“And beautiful dresses,” she heard the stranger saying, “and jeweled gowns. You will be the loveliest dancer of them all!”

She made a slight movement forward. From deep inside her a still, small voice seemed to say, “Stop!”

“My mind again,” she told herself.

The stranger’s smile continued unfading. She hesitated. Then she took a step toward him. Then another and another. With each step the still, small voice inside grew fainter and her movements became easier. At last she reached out and took the shoes from his hand.

“Beautiful!” he whispered as he bound the laces up over her calves and tied them just below her knees.

“Now dance!” he shouted with a laugh – a triumphant laugh that sounded in her ears with the ring of cold steel.

She tried to ignore the feelings his laugh brought up from within her. She looked again at her feet.

“They are lovely shoes,” she thought. “The loveliest I’ve ever seen.”

Then, poising herself once more, she began to dance.

The stranger danced too, but not as her partner. Instead, he came behind her, pushing her, driving her down the glen, up through the trees, over the tops of the green hills, and down the other side toward the city. On and on they danced until she felt she would drop.

They danced until dancing became for her a terrible, almost unbearable burden. Yet still she fought to keep her spirits up.

“Though dancing has become such a burden,” she told herself, “to dance in shoes such as these is a great delight, and it has also become my life.”

They danced into the city as the first snowflakes of winter began to fall. They danced down dark streets crowded with nameless faces, step after weary step, her feet jarring against the pavement, her limbs trembling with fatigue. He drove her through a litter-strewn alley where lean cats howled and the snow was gray with ash, then down a narrow corridor that stank of dark and damp.

They danced until her legs were numb as two sticks; until her lungs felt as if they would burst; until her fevered head throbbed with the pounding of the blood behind her ears. They danced until the grim, gray buildings rocked and reeled before her eyes; until blackness overwhelmed her and she fell in a heap upon the cold, cold pavement.

* * * * * * *